A conference reaches the people in the room. What I produce reaches everyone who wasn’t there — during the day and for months after.

What you get, and when.

  • A first set of photos during the event, to post live.
  • Interviews of about a minute, cut for LinkedIn, on the day where possible, otherwise within a week.
  • The full gallery, retouched, online within five working days.
  • The aftermovie within a week, in landscape and portrait.

One day, in photos.

Aftermovie: launch of a new airline route

Aftermovie: launch of a new airline route One minute: the rooftop terrace, the samba show, Brussels from above.

Events like yours.

All work

The questions that keep coming up.

At least 100 retouched photos per full day, in a private online gallery. The aftermovie runs up to one minute, with music and no voice-over, and subtitles on speaker soundbites.

If it helps, I plan with your comms team beforehand what gets published, where and when. By default, the images are for your social channels and website; a full transfer of rights is arranged when the contract requires it.

Photos during the event: how does it work?

I shoot and select as the day goes on. A first edited set reaches you during the event, ready for your social channels, the press or sponsors. The key moments and how you receive the images are agreed in advance.

What if several rooms run at the same time?

That’s when I bring in a dedicated photographer and videographer. At scoping, you and I pick out the sessions that matter for what will be published, and I split the crew accordingly. You keep one contact.

Which languages are the interviews in?

The speaker’s own: English, French or Dutch. I conduct interviews in all three. Subtitles are optional, and not only in those three languages: I can translate them into almost any language, Chinese included. In the aftermovie, speaker soundbites are subtitled.